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TitleBeethoven's music - The Biamonti catalogue

A presentation of Biamonti's catalogue and of its author is on the first page of this catalogue.

This picture Midi File indicates that you can listen to the midi file of the work. Just click on it...
Many thanks to the great Beethoven lovers Annie Moss Moore, Armando Orlandi and Cristina Barbieri
who prepared this catalogue and shared it with me...
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Biamonti Same As Midi Mp3 Name Composition Dates Notes
Bia. 400       Fugue Subject for Unknown: in a Kyrie; authorship: unfinished 1803
Bia. 401       Piece for Unknown 1803 the theme is similar to Haydn’s "The Seasons"
Bia. 402       Fragment for Unknown: beginning of an Agnus Dei; authorship: unfinished 1803
Bia. 403       Sketch in D minor: for a symphony; authorship: unfinished 1803
Bia. 404       Sketch for Unknown: for the melody for a Zapfenstreich; authorship: unfinished 1803
Bia. 405       Sketch for Piano: for the melody; authorship: unfinished 1803
Bia. 406 Op. 55, Grove 55 Midi File   Symphony No. 3 in E flat major: "Eroica" 1803 dedicated to Prince Ferdinand Lobkowitz; Napoleon Bonaparte was originally intended as dedicatee; finale uses theme from "Die Geschöpfe des Prometheus" Opus 43
Bia. 407       Sketch for Solo Voice(s) & Instrument(s): unused vocal & instrumental sketches from the Wittgenstein manuscript; authorship: unfinished 1804
Bia. 408 WoO 56 Midi File...   Bagatelle No. 5 for Piano in C major: Allegretto 1803 - 1822 numbered "5" by Beethoven for a projected collection of Bagatelles in 1822
Bia. 409 WoO 57, Grove 170     Andante for Piano in F major: "Andante favori" 1803 - 1804 originally intended as the slow movement for the "Waldstein" Piano Sonata Opus 53; Hess Anhang 10 is version for string quartet (Beethoven’s authorship uncertain)
Bia. 410 Op. 56, Grove 56     Concerto for Piano, Violin, Cello & Orchestra in C major: "Tripelkonzert" (Triple Concerto) 1804 - 1805 dedicated to Archduke Rudolph of Austria
Bia. 411 Op. 53, Grove 53 Midi File   Piano Sonata No. 21 in C major: "Waldstein-Sonate"; "Aurora" 1803 - 1804 dedicated to Count Ferdinand von Waldstein; the "Andante favori" WoO 57 was originally intended to be this work’s slow movement
Bia. 412 Op. 54, Grove 54 Midi File   Piano Sonata No. 22 in F major 1804
Bia. 413 Hess 111     Duet: "Nur hurtig fort, nur frisch gegraben" 1805 early version before 1805 version of "Leonore", Opus 72
Bia. 414 Hess 121     Aria in C major: Marcellina’s aria "O wär ich schon mit dir vereint" 1806 prepared for 1806 version of "Leonore" Opus 72
Bia. 415 Hess 122     Aria in C minor: Marcellina’s aria "O wär ich schon mit dir vereint" 1807 prepared for 1806 version of "Leonore", Opus 72
Bia. 416 WoO 130, Grove 256     Song in C minor: "Gedenke mein"; "Gedenke mein, ich denke dein" 1804 - 1820 written for Prince Nikolas Borissovich Galitzin; words: Anonymous
Bia. 417       2 Sketches for Piano in F minor; authorship: unfinished 1804 sketch for the "Appassionata" Sonata Opus 57
Bia. 418 WoO 74, Grove 160     6 Variations for Piano Four Hands in D major: on "Ich denke dein" 1799 - 1803 dedicated to Therese Brunsvik & Countess Josephine Deym (née Brunsvik); Beethoven wrote the theme to the opening stanza of Goethe’s poem; the song (Biamonti 177) and the variations (Biamonti 418) are all part of the same work, but usually performed & recorded separately
Bia. 419       Sketch for Unknown: for a march; authorship: unfinished 1804
Bia. 420 Op. 57, Grove 57 Midi File   Piano Sonata No. 23 in F minor: "Appassionata" 1804 - 1805 dedicated to Count Anatol Brunsvik
Bia. 421 Op. 32, Grove 32 Midi File   Song: "An die Hoffnung"; from Tiedge’s "Urania"; "Die du so gern in heilgen Nächten feierst" (1st setting) 1804 - 1805 dedicated to Countess Josephine Deym (née Brunsvik); words: Christoph August Tiedge; 2nd setiing is Opus 94
Bia. 422 Op. 138, Grove 138 Midi File   Overture in C major: "Leonore I" 1807
Bia. 423 Op. 72, Grove 72     Overture: "Leonore II" ; written for 1805 version of "Leonore"; Grove 72a 1804 - 1805
Bia. 423 Op. 72, Hess 109, Grove 72     Opera: "Leonore, oder Der Triumph der ehelichen Liebe" (Leonore, or The Triumph of Married Love); 1805 version of "Fidelio" with overture "Leonore II" 1804 - 1805 Libretto: Joseph Sonnleithner after Jean-Nicolas Bouilly; Hess originally had access to only the piano reduction; the complete score has since been found
Bia. 424 WoO 58 #1, Grove 175 Midi File...   Cadenza for Piano in D minor: for Mozart’s piano concerto in d minor K 466 1st mvmt 1809 written for Ferdinand Ries
Bia. 424 WoO 58 #2, Grove 175 Midi File...   Cadenza for Piano & Orchestra in D minor: for Mozart’s piano concerto in d minor K 466 3rd mvmt 1809 written for Ferdinand Ries
Bia. 425 Op. 36, Grove 36     Piano Trio in D major: after the Symphony No. 2 in D 1805 dedicated to Prince Karl Lichnowsky
Bia. 426       Fragment for Unknown: for a Quartet; authorship: unfinished 1805
Bia. 427 Op. 72, Hess 110, Grove 72     Opera: "Leonore, oder Der Triumph der ehelichen Liebe" (Leonore, or The Triumph of Married Love); 1806 version of "Fidelio" with overture "Leonore III" 1805 - 1806 Libretto: Joseph Sonnleithner, revised by Stephan von Breuning; Hess originally had access to only the piano reduction; the complete score has since been found
Bia. 427 Op. 72 #1, Grove 72     Overture: "Leonore III", Opus 72a; written for 1806 version of "Leonore"; Grove 72b 1805 - 1806
Bia. 428 WoO 132, Grove 238     Song in E flat major: "Als die Geliebte sich trennen wollte"; "Der Hoffnung letzter Schimmer sinkt dahin" 1806 also published with the title "Empfindungen bei Lydiens Untreue"; words: Stephan von Breuning, based on French text by Hoffmann
Bia. 429 Op. 60, Grove 60 Midi File   Symphony No. 4 in B flat major 1806 dedicated to Count Franz von Oppersdorff
Bia. 430 WoO 80, Grove 191 Midi File...   32 Variations for Piano in C minor: on an original theme 1806
Bia. 431 Op. 58, Grove 58     Concerto No. 4 for Piano & Orchestra in G major 1804 - 1807 dedicated to Archduke Rudolph of Austria; also arranged for piano & string quintet same Opus #
Bia. 431 Op. 58, Grove 58 Midi File   Concerto No. 4 for Piano & String Quintet in G major; authorship: reconstruction 1804 - 1807 dedicated to Archduke Rudolph of Austria; also arranged for piano & string quintet same Opus #; Biamonti 509 has the usually recorded cadenzas; other cadenzas are Hess 81 (1st movement) and Hess 82 - 83 (Rondo)
Bia. 432 Op. 61, Grove 61 Midi File   Concerto for Violin & Orchestra in D major 1806 dedicated to Stephan von Breuning; also arranged as a piano concerto (same Opus)
Bia. 433       Sketch for Unknown: sketches for Matthisson’s song, "Wunsch: noch einmal"; authorship: unfinished 1804 - 1806
Bia. 434       Sketch for Unknown: for a minuet; authorship: unfinished 1805 - 1806
Bia. 435       Sketch for String Quartet; authorship: unfinished 1805 - 1806 unused sketches for the first & third movements of Opus 59 #3, "Rasumowsky" #3
Bia. 436 Op. 59 #1, Grove 59 Midi File   String Quartet No. 7 in F major: "Rasumowsky-Quartett" (Razumovsky) #1 1806 dedicated to Count Andreas Kirillovich Razumovsky
Bia. 436 Op. 59 #2, Grove 59 Midi File   String Quartet No. 8 in E minor: "Rasumowsky-Quartett" (Razumovsky) #2 1806 dedicated to Count Andreas Kirillovich Razumovsky
Bia. 436 Op. 59 #3, Grove 59 Midi File   String Quartet No. 9 in C major: "Rasumowsky-Quartett" (Razumovsky) #3 1806 dedicated to Count Andreas Kirillovich Razumovsky
Bia. 437 WoO 83 Midi File...   6 Ecossaises for Piano in E flat major 1806
Bia. 438 Op. 62, Grove 62 Midi File   Overture: "Coriolan" 1807 dedicated to Heinrich Collin; words by H J Collin
Bia. 439 Op. 86, Grove 86     Mass in C major 1807 dedicated to Prince Ferdinand Kinsky; also published as 3 hymns with German text
Bia. 440 WoO 29     March for Clarinets, Horns & Bassoons in B flat major: "Grenadiermarsch" 1797 - 1798 Hess 87 is piano arrangement; also see Hess 107
Bia. 441 Op. 61, Grove 61     Concerto for Piano & Orchestra in D major 1807 dedicated to Julie von Breuning (née Vering); after the Violin Concerto (same Opus); four new "cadenzas" composed - the two of Biamonti 511 (given in Kinsky-Halm) & Biamonti 512 (Hess 84 & 85); all 4 can be, and usually are, played in one performance
Bia. 442 WoO 133, Grove 239 Midi File...   Song in A flat major: "In questa tomba oscura", Arietta (In this dark Tomb) 1806 - 1807 words: Giuseppe Carpani
Bia. 443 Op. 67, Grove 67 Midi File   Symphony No. 5 in C minor 1803 - 1808 dedicated to Prince Lobkowitz and Count Rasumovsky
Bia. 444 Op. 69, Grove 69     Sonata No. 3 for Piano & Cello in A major 1807 - 1808 dedicated to Baron Ignaz von Gleichenstein; "between tears & lamentation" - LvB
Bia. 445       Sketch for Unknown: sketches for an improvisation; authorship: unfinished 1807 - 1808
Bia. 446 WoO 134 #1, Grove 241 Midi File...   Song in G minor: "Sehnsucht"; "Nur wer die Sehnsucht kennt" (1st setting) 1807 - 1808 words: Goethe; "NB: I did not have enough time to produce a good one, so here are several attempts" - LvB
Bia. 446 WoO 134 #2, Grove 241 Midi File...   Song in G minor: "Sehnsucht"; "Nur wer die Sehnsucht kennt" (2nd setting) 1807 - 1808 words: Goethe; "NB: I did not have enough time to produce a good one, so here are several attempts" - LvB
Bia. 446 WoO 134 #3, Grove 241 Midi File...   Song in E flat major: "Sehnsucht"; "Nur wer die Sehnsucht kennt" (3rd setting) 1807 - 1808 words: Goethe; "NB: I did not have enough time to produce a good one, so here are several attempts" - LvB
Bia. 446 WoO 134 #4, Grove 241 Midi File...   Song in G minor: "Sehnsucht"; "Nur wer die Sehnsucht kennt" (4th setting) 1807 - 1808 words: Goethe; "NB: I did not have enough time to produce a good one, so here are several attempts" - LvB
Bia. 447       Passage for Piano; authorship: unfinished 1808
Bia. 448       Sketch for Piano: probably for piano; authorship: unfinished 1808
Bia. 449       Sketch for Piano & Orchestra in F major; authorship: unfinished 1808 sketch for the "Choral Fantasy" Opus 80
Bia. 450       Fragment for Unknown: for piano? 1808
Bia. 451       Sketch for Unknown: for piano?; authorship: unfinished 1808
Bia. 452       Fragment for Unknown: for piano?; authorship: unfinished 1808
Bia. 453 Op. 68, Grove 68 Midi File   Symphony No. 6 in F major: "Pastorale" (Pastoral) 1807 - 1808 dedicated to Prince Lobkowitz and Count Rasumovsky
Bia. 454       Overture: to the planned opera "Macbeth"; authorship: unfinished 1810 based on Beethoven’s sketches
Bia. 455 Op. 70 #1, Grove 70     Piano Trio in D major: "Geister-Trio" (Ghost) 1808 dedicated to Countess Anna Marie Erdödy
Bia. 455 Op. 70 #2, Grove 70     Piano Trio in E flat major 1808 dedicated to Countess Anna Marie Erdödy
Bia. 456   Midi File   Sketch; authorship: unfinished 1808 4 sketches for an instrumental introduction for the "Choral Fantasy", Opus 80
Bia. 457   Midi File   Sketch; authorship: unfinished 1808 sketch for a March, perhaps for the "Choral Fantasy" Opus 80
Bia. 458   Midi File   Sketch for Unknown in B minor; authorship: unfinished 1808 for the "Choral Fantasy" Opus 80, marked "Erste Fantasie"
Bia. 459   Midi File   Sketch for Piano; authorship: unfinished 1808
Bia. 460   Midi File   Sketch for Piano; authorship: unfinished 1808
Bia. 461   Midi File   Sketch for Piano; authorship: unfinished 1808
Bia. 462   Midi File   Sketch for Piano; authorship: unfinished 1808
Bia. 463       Sketch for Piano; authorship: unfinished 1808
Bia. 464   Midi File   Sketch for Piano; authorship: unfinished 1808
Bia. 465   Midi File   Sketch for Piano: concluding formula; authorship: unfinished 1808
Bia. 466   Midi File   Fragment for Piano; authorship: unfinished 1808
Bia. 467       Fragment for Piano; authorship: unfinished 1808
Bia. 468       Sketch for Piano; authorship: unfinished 1808
Bia. 469       Fragment for Piano; authorship: unfinished 1808
Bia. 470       Sketch for Piano; authorship: unfinished 1808 pianistic figure
Bia. 471       Fragment for Piano; authorship: unfinished 1808
Bia. 472       Fragment for Piano in D minor; authorship: unfinished 1808
Bia. 473   Midi File   Sketch for Solo Voice(s) & Instrument(s); authorship: unfinished 1808
Bia. 474   Midi File   Sketch for Unknown; authorship: unfinished 1808 bass line
Bia. 475       Sketch for Unknown: "Lasst uns Frohich sein"; authorship: unfinished 1808 sketch for perhaps a Canon or a Song
Bia. 476       Sketch for Piano & Orchestra 1809 sketch for the last movement of Piano Concerto #5, Opus 73
Bia. 477       Sketch for Unknown: "Wehrmanns Lied" (song of the soldier) "Osterreich über alles"; authorship: unfinished 1809 words: Collin
Bia. 478       Sketch for Unknown: sketch for a Song "Jubelgesang auf die Schlacht"; authorship: unfinished 1809
Bia. 479       Sketch for Piano; authorship: unfinished 1809 perhaps for piano
Bia. 480   Midi File   2 Sketches for Piano; authorship: unfinished 1809 perhaps for piano
Bia. 481       Fragment for Unknown: "Dissonirende Vorhalte"; authorship: unfinished 1809
Bia. 482       Sketch for Unknown; authorship: unfinished 1809 unused sketches for Songs
Bia. 483       Sketch: sketch for an Overture "Die Änlichkeit"; authorship: unfinished 1809
Bia. 484       Sketch for String Quartet 1809 unused sketch for the Finale of String Quartet #10 Opus 74
Bia. 485 Op. 74, Grove 74 Midi File   String Quartet No. 10 in E flat major: "Harfenquartett" (Harp) 1809 dedicated to Prince Ferdinand Lobkowitz
Bia. 486 Op. 80, Grove 80     Fantasia for Piano, Chorus & Orchestra in C minor: "Chorfantasie" (Choral Fantasy) 1808 - 1809 dedicated to King Maximilian Joseph of Bavaria; words: Christoph Kuffner?
Bia. 487       Fragment for Piano & Orchestra; authorship: unfinished 1809 beginning of a Concerto, unused
Bia. 488   Midi File...   Fragment for Unknown: "Ausweichungsformel" (modulation formula) 1809
Bia. 489       Sketch for String Quintet: in homage to Bach; authorship: unfinished 1809
Bia. 490   Midi File   Sketch for Unknown: for a concert piece; authorship: unfinished 1809
Bia. 491   Midi File   Sketch for Solo Voice(s) & Instrument(s): unused sketch for "Freudvoll und Leidvoll" for 2 voices & piano; authorship: unfinished 1809 has no relation to "Egmont" Opus 84
Bia. 492 Op. 77, Grove 77 Midi File   Fantasia for Piano in G minor 1809 dedicated to Count Anatol Brunsvik
Bia. 493 Op. 78, Grove 78 Midi File   Piano Sonata No. 24 in F sharp major: "À Thérèse" 1809 dedicated to Therese Brunsvik
Bia. 494 Op. 76, Grove 76 Midi File   6 Variations for Piano in D major: on a original theme 1809 dedicated to Franz Oliva; used again for "The Ruins of Athens" Opus 113
Bia. 495 Op. 79, Grove 79 Midi File   Piano Sonata No. 25 in G major 1809
Bia. 496 WoO 136, Grove 240 Midi File...   Song in D major: "Andenken" (Memories); "Ich denke dein" 1808 words: Friedrich von Matthisson
Bia. 497 WoO 138, Grove 244     Song in B flat major: "Der Jüngling in der Fremde"; "Der Früling entblühet dem Schoß der Natur" 1809 words: Christian Ludwig Reissig; the music was originally written for the text of WoO 137
Bia. 498 WoO 137, Grove 242     Song in B flat major: "Gesang aus der Ferne" (Song from far away); "Als mir noch die Träne" (2nd setting) 1809 words: Christian Ludwig Reissig; other setting has no catalog #
Bia. 499 Op. 73, Grove 73 Midi File   Concerto No. 5 for Piano & Orchestra in E flat major: "Emperor" 1808 - 1809 dedicated to Archduke Rudolph of Austria
Bia. 500 WoO 139, Grove 243 Midi File...
   Song in D major: "Der Liebende"; "Welch ein wunderbares Leben" 1809 words: Christian Ludwig Reissig
Bia. 501 WoO 18, Hess 6, Grove 145     March for Wind Band in F major: "Marsch für die bohmische Landwehr" 1809 - 1810 dedicated to Archduke Anton; written for a ‘carrousel’; contains Turkish elements in the orchestration; version without Trio; WoO 18 also includes Hess 7 & 99, Hess Anhang 2, and Biamonti 519 #1
Bia. 502 Op. 75 #1, Grove 75     Song: "Mignon" "Kennst du das Land" 1809 dedicated to Princess Caroline Kinsky; words: Goethe
Bia. 502 Op. 75 #2, Grove 75     Song: "Neue Liebe, neues Leben" (New love, new life); "Herz, mein Herz, was soll das geben?" (2nd setting) 1809 dedicated to Princess Caroline Kinsky; words: Goethe; 1st setting is WoO 127
Bia. 502 Op. 75 #3, Grove 75     Song: "Aus Goethes Faust" (Mephisto’s Song of the Flea); "Es war einmal ein König" 1809 dedicated to Princess Caroline Kinsky; words: Goethe; originally drafted c. 1792-3
Bia. 502 Op. 75 #4, Grove 75     Song: "Gretels Warnung"; "Mit Liebesblick und Spiel" 1809 dedicated to Princess Caroline Kinsky; words: G A von Halem
Bia. 502 Op. 75 #5, Grove 75     Song: "An den fernen Geliebten"; "Einst wohnten süsse Ruh’" 1809 dedicated to Princess Caroline Kinsky; words: C L Reissig
Bia. 502 Op. 75 #6, Grove 75 Midi File   Song: "Der Zufriedene" (The Contented Man); "Zwar schuf das Glück hienieden" 1809 dedicated to Princess Caroline Kinsky; words: Christian Ludwig Reissig
Bia. 503 WoO 135, Grove 255     Song in C minor: "Die laute Klage"; "Turteltaube, du klagtest so laut" 1814 - 1815 words: Johann Gottfried Herder
Bia. 504 WoO 18, Hess 99, Grove 145     March for Piano in F major: "Marsch für die bohmische Landwehr" 1809 - 1810 version for piano; WoO 18 also includes Hess 6 & 7, Hess Anhang 2 and Biamonti 519 #1
Bia. 505       Sketch for Piano: unused; authorship: unfinished 1809
Bia. 506 Grove 175     3 Cadenzas for Piano 1809 for Piano Concerto #1 Opus 15; these are the usually recorded 1st movement cadenzas
Bia. 507 Grove 175     Cadenza for Piano 1809 for Piano Concerto #2 Opus 19; this is the usually recorded cadenza
Bia. 508 Grove 175     Cadenza for Piano 1809 for Piano Concerto #3 Opus 37; this is the usually recorded cadenza
Bia. 509 Grove 175     Cadenza for Piano 1809 for Piano Concerto #4 Opus 58; these are the usually recorded cadenzas - #1 and #2 are for the 1st movement, #3 for the 3rd
Bia. 510 Hess 81, Grove 175     Cadenza for Piano 1807 for Piano Concerto #4, Opus 58 (first movement )
Bia. 510 Hess 82, Grove 175     Cadenza for Piano 1807 cadenza "sensa misura" for the Rondo of Piano Concerto #4, Opus 58
Bia. 510 Hess 83, Grove 175     Cadenza for Piano 1807 very brief cadenza to the Rondo of Piano Concerto #4, Opus 58
Bia. 511 Grove 175     2 Cadenzas for Piano 1809 for Piano Concerto version of Violin Concerto Opus 61 (1st movement, and transition from 2nd to 3rd)
Bia. 512 Hess 84, Grove 175   Rondo for Piano   solo passage for the Rondo of the piano version of the Violin Concerto, Opus 61, begins at measure 92
Bia. 512 Hess 85, Grove 175   Cadenza for Piano   new cadenza for the Rondo of the piano version of the Violin Concerto, Opus 61, begins at measure 279
Bia. 513 Op. 82 #1, Grove 82     Arietta: "Hoffnung"; "Dimmi, ben mio, che m’ami" 1809 - 1810 words: Anonymous
Bia. 513 Op. 82 #2, Grove 82     Arietta: "Liebes-Klage"; "T’intendo, si, mio cor" 1809 - 1810 words: Pietro Metastasio
Bia. 513 Op. 82 #3, Grove 82     Arietta: "L’amante impatiente (Stille Frage)", Arietta buffa; "Che fa il mio bene?" 1809 - 1810 words: Pietro Metastasio
Bia. 513 Op. 82 #4, Grove 82     Arietta: "L’amante impatiente (Liebesungeduld)", Arietta assai seriosa; "Che fa il mio bene?" 1809 - 1810 words: Pietro Metastasio
Bia. 513 Op. 82 #5, Grove 82     Duet: "Lebensgenuß"; "Odi l’aura che dolce sospira" 1809 - 1810 words: Pietro Metastasio
Bia. 514 Op. 81 #1, Grove 81     Piano Sonata No. 26 in E flat major: "Les Adieux"; "Das Lebewohl, Abwesenheit und Wiedersehen", Opus 81a 1809 - 1810 dedicated to Archduke Rudolph of Austria
Bia. 515 WoO 59, Grove 173 Midi File...   Bagatelle for Piano in A minor: "Für Elise" 1808 - 1810 dedicated to Therese Malfatti; autograph missing, but "Elise" probably denotes Therese Malfatti
Bia. 516       Sketch for Solo Voice(s) & Instrument(s): for Schiller’s "Das Madchen aus dem Fremde" for voice, piano & clarinet; authorship: unfinished 1810
Bia. 517 WoO 19, Hess 8, Grove 145     March for Wind Band in F major: "Zapfenstreich No. 3" 1810 dedicated to Archduke Anton; written for a ‘carrousel’; contains Turkish elements in the orchestration; Hess 9 is version with Trio; Biamonti 519 #2 (the GA version) has no Trio, no Turkish elements; Beethoven added the trio in F minor c. 1822; WoO 19 includes both Hess 8 & 9 & Biamonti 519 #2
Bia. 518 Op. 84, Grove 84     Overture in F minor: "Egmont", Incidental Music to Goethe’s Tragedy 1809 - 1810
Bia. 518 Op. 84, Grove 84 Midi File   Incidental Music for Solo Voice(s) & Orchestra: "Egmont", Incidental Music to Goethe’s Tragedy 1809 - 1810
Bia. 519 WoO 18, Grove 145     March for Wind Band in F major: "Marsch für die bohmische Landwehr" 1809 - 1810 dedicated to Archduke Anton; (the GA version) is without the Trio or the Turkish orchestration elements; WoO 18 also includes Hess 6, 7 & 99, and Hess Anhang 2
Bia. 519 WoO 19, Grove 145     March for Wind Band in F major 1809 - 1810 dedicated to Archduke Anton; (the GA version) has no Trio, no Turkish elements, Hess 8 is version with Turkish elements; Hess 9 is version with Turkish elements and the Trio that Beethoven added c. 1822; WoO 19 includes both Hess 8 & 9 & Biamonti 519 #2
Bia. 520 WoO 21     Polonaise for Wind Band in D major 1810
Bia. 521 WoO 22     Ecossaise for Wind Band in D major 1809 - 1810
Bia. 522   Midi File...   Sketch for Unknown in C minor: for a fugue; authorship: unfinished 1810
Bia. 523       Sketch for Solo Voice(s): for the melody for Schiller’s "In einem Thal bei Armen Hirten"; authorship: unfinished 1810
Bia. 524 Op. 95, Grove 95 Midi File   String Quartet No. 11 in F minor: "Quartetto serioso" 1810 - 1811 dedicated to Nikolaus Zmeskall
Bia. 525 WoO 20 Midi File...   March & Trio for Wind Band in C major: "Zapfenstreich" (The Tattoo) 1809 - 1822 Beethoven added a trio in F major c. 1822
Bia. 526 WoO 131, Hess 148     Sketch for Solo Voice(s) & Instrument(s) in D minor: "Erlkönig" "Wer reitet so spat durch Nacht und Wind?"; authorship: unfinished 1794 - 1796 words: Goethe
Bia. 527 Hess 149     Sketch for Solo Voice(s) & Instrument(s): sketches for a Song "Rastlose Liebe"; authorship: unfinished 1796 - 1810 words: Goethe
Bia. 528 WoO 161, Grove 218     3-part Canon in C major: "Ewig dein!" (Forever thine!) 1811
Bia. 529 Hess 93 Midi   Song in A major: "Freudvoll und Leidvoll" 1810 simplified setting of song from "Egmont" Opus 84, for voice and piano, also see Hess 94 & Hess 95
Bia. 529 Hess 94     Song in G major: "Freudvoll und Leidvoll" 1810 song from "Egmont" Opus 84, for piano; also see Hess 93 & Hess 95
Bia. 529 Hess 95     Song in F major: "Freudvoll und Leidvoll" 1810 song from "Egmont" Opus 84, for piano; also see Hess 93 & Hess 94
Bia. 530 Hess 142     Song: "Wonne der Wehmut" 1810 earlier version of Opus 83 #1
Bia. 531 Op. 83 #1, Grove 83     Song: "Wonne der Wehmut" (The joy of melancholy); "Trocknet nicht, Tränen der ewigen Liebe!" 1810 dedicated to Princess Caroline Kinsky; words: Goethe
Bia. 531 Op. 83 #2, Grove 83     Song: "Sensucht" (Yearning); "Was zieht mir das Herz so?" 1810 dedicated to Princess Caroline Kinsky; words: Goethe
Bia. 531 Op. 83 #3, Grove 83     Song: "Mit einem gemalten Band" (With a painted ribbon); "Kleine Blumen, kleine Blätter streuen wir mit leichter Hand" 1810 dedicated to Princess Caroline Kinsky
Bia. 532 WoO 23, Hess 4     Ecossaise for Wind Band in G major; authorship: reconstruction 1810 lost; known only in Czerny’s piano arrangement
Bia. 533 WoO 155 #1, Grove 226     Folksong Setting: "Chase of the Wolf" or "Sion, the Son of Evan", "Hear the shouts of Evan’s son"; #1 of 26 Welsh songs 1810 words: Anne Grant
Bia. 533 WoO 155 #2, Grove 226     Folksong Setting: "The Monks of Bangor’s March", "When the heathen trumpet’s clang"; #2 of 26 Welsh songs 1810 words: Sir Walter Scott
Bia. 533 WoO 155 #3, Grove 226     Folksong Setting: "The Cottage Maid", "I envy not the splendour fine"; #3 of 26 Welsh songs 1810 words: William Smyth; variations on this air: Op 105 #1
Bia. 533 WoO 155 #4, Grove 226     Folksong Setting: "Love without Hope", "Her features speak the warmest heart"; #4 of 26 Welsh songs 1810 words: John Richardson
Bia. 533 WoO 155 #5, Grove 226     Folksong Setting: "The Golden Robe", "A golden robe my Love shall wear"; #5 of 26 Welsh songs 1810 words: Anne Hunter
Bia. 533 WoO 155 #6, Grove 226     Folksong Setting: "The Fair Maid of Mona", "How, my love, could hapless doubts o’ertake thee"; #6 of 26 Welsh songs 1810 words: William Smyth
Bia. 533 WoO 155 #7, Grove 226     Folksong Setting: "O let the night my blushes hide"; #7 of 26 Welsh songs 1810 words: William Smyth
Bia. 533 WoO 155 #8, Grove 226     Folksong Setting: "Farewell, thou noisy town"; #8 of 26 Welsh songs 1810 words: William Smyth
Bia. 533 WoO 155 #9, Grove 226     Folksong Setting: "To the Aeolian Harp", "Harp of the winds"; #9 of 26 Welsh songs 1810 words: Anne Hunter
Bia. 533 WoO 155 #10, Grove 226     Folksong Setting: "Ned Pugh’s Farewell", "To leave my dear girl, my country, and friends"; #10 of 26 Welsh songs 1810 words: Anne Hunter
Bia. 533 WoO 155 #11, Grove 226     Folksong Setting: "Merch Megan, or Peggy’s Daughter"1 "In the white cot where Peggy dwells"; #11 of 26 Welsh songs 1810 words: Anne Hunter; variations on this air: Op 107 #6
Bia. 533 WoO 155 #12, Grove 226     Folksong Setting: "Waken, lords and ladies gay"; #12 of 26 Welsh songs 1810 words: Sir Walter Scott
Bia. 533 WoO 155 #13, Grove 226     Folksong Setting: "Helpless Woman", "How cruel are the parents"; #13 of 26 Welsh songs 1810 words: Robert Burns
Bia. 533 WoO 155 #14, Grove 226     Folksong Setting: "The Dream", "Last night worn with anguish"; #14 of 26 Welsh songs 1810 words: David ap Gwillim
Bia. 533 WoO 155 #16, Grove 226     Folksong Setting: "The Damsels of Cardigan", "Fair Tivy"; #16 of 26 Welsh songs 1810 words: W Jones
Bia. 533 WoO 155 #17, Grove 226     Folksong Setting: "The Dairy House", "A spreading hawthorn shades the seat"; #17 of 26 Welsh songs 1810 words: Anne Hunter
Bia. 533 WoO 155 #18, Grove 226     Folksong Setting: "Sweet Richard", "Yes, thou art chang’d since first we met"; #18 of 26 Welsh songs 1810 words: Opie
Bia. 533 WoO 155 #19, Grove 226     Folksong Setting: "The Vale of Clwyd", "Think not I’ll leave"; #19 of 26 Welsh songs 1810 words: Opie
Bia. 533 WoO 155 #20, Grove 226     Folksong Setting: "To the Blackbird", "Sweet warbler of a strain divine"; #20 of 26 Welsh songs 1813 words: David ap Gwillim; replacement setting of Hess 206
Bia. 533 WoO 155 #21, Grove 226     Folksong Setting: "Cupid’s Kindness", "Dear brother"; #21 of 26 Welsh songs 1810 words: William Smyth; Hess 190 is completed draft of piano version
Bia. 533 WoO 155 #22, Grove 226     Folksong Setting: "Constancy", "Tho’ cruel fate should bid us part"; #22 of 26 Welsh songs 1810 words: Robert Burns
Bia. 533 WoO 155 #23, Grove 226     Folksong Setting: "The Old Strain", "My pleasant home beside the Dee!"; #23 of 26 Welsh songs 1810 words: William Smyth
Bia. 533 WoO 155 #24, Grove 226     Folksong Setting: "Three Hundred Pounds", "In yonder snug cottage"; #24 of 26 Welsh songs 1810 words: Richard Litwyd
Bia. 533 WoO 155 #26, Grove 226     Folksong Setting: "Good Night", "Ere yet we slumber seek"; #26 of 26 Welsh songs 1810 words: W R Spencer
Bia. 534 Hess 204     Folksong Setting: "O let the night my blushes hide" (Welsh) 1809 original version of WoO 155 #7
Bia. 534 Hess 205     Folksong Setting: "The Dream" (Welsh) 1810 another version of WoO 155 #14; Biamonti 286 is the coda, instrumental parts only
Bia. 534 Hess 206     Folksong Setting: "To the Blackbird" (Welsh) "Sweet warbler of a strain divine" 1810 words: David ap Gwillim; original setting of WoO 155 #20
Bia. 535       Sketch for Unknown; authorship: unfinished 1810 sketch for a Bagatelle
Bia. 536 Op. 97, Grove 97     Piano Trio in B flat major: "Erzherzogs-Trio" (Archduke) 1810 - 1815 dedicated to Archduke Rudolph of Austria
Bia. 537       Sketch; authorship: unfinished 1811
Bia. 538 Op. 117, Grove 117 Midi File   Overture in E flat major: "König Stephan" (King Stephen) 1811
Bia. 538 Op. 117, Grove 117     Music for a drama for Orchestra, Chorus & Solo Voice(s): music to Kotzebue’s festival play "König Stephan oder Ungarns erster Wohhtäter" (King Stephen or Hungary’s First Benefactor) 1811
Bia. 539 Op. 113, Hess 118, Grove 113     Overture: "Die Ruinen von Athen" (The Ruins of Athens) 1811 music to Kotzebue’s festival play; Hess 118 includes Opus 124, Opus 114, WoO 98, and parts of Opus 113
Bia. 539 Op. 113, Grove 113     Music for a drama for Orchestra, Chorus & Solo Voice(s): for Kotzebue’s "Die Ruinen von Athen" (The Ruins of Athens) 1811
Bia. 540 WoO 140 #1, Grove 247     Song: "An die Geliebte"; "O daß ich dir vom stillen Auge" (1st setting) 1811 words: Johann Ludwig Stoll
Bia. 540 WoO 140 #2, Grove 247     Song: "An die Geliebte"; "O daß ich dir vom stillen Auge" (2nd setting) 1814 words: Johann Ludwig Stoll
Bia. 541 WoO 155 #15, Grove 226     Folksong Setting: "When mortals all to rest retire" (English); #15 of 26 Welsh songs 1813 words: William Smyth
Bia. 542 WoO 39, Grove 154     Allegretto for Piano Trio in B flat major 1812 dedicated to Maximiliane Brentano; "for my little friend Maxe. Brentano to encourage her in piano playing" - LvB
Bia. 543       Sketch; authorship: unfinished 1811 - 1812 sketch for the finale of the Seventh Symphony Opus 92
Bia. 544 Op. 92, Grove 92 Midi File   Symphony No. 7 in A major 1811 - 1812 dedicated to Count Moritz von Fries; arrangements for piano (2 & 4 hands) and two pianos dedicated to Elisabeth Alexiewna, Empress of Russia
Bia. 545       Sketch for Piano & Orchestra in G major: for a Polonaise; authorship: unfinished 1812
Bia. 546       Sketch; authorship: unfinished 1812 sketch for an introduction to the Eighth Symphony Opus 93
Bia. 547       Symphony No. 8 in F major 1812 entire symphony with the original ending of Hess 1
Bia. 548 WoO 30 #1 Midi File...   Equali for Trombones in D minor 1812 written for Franz Xaver Glöggl; there is also a version for 4 men’s voices; these were played at Beethoven’s funeral
Bia. 548 WoO 30 #2 Midi File...   Equali for Trombones in D major 1812 written for Franz Xaver Glöggl; there is also a version for 4 men’s voices; these were played at Beethoven’s funeral
Bia. 548 WoO 30 #3 Midi File...   Equali for Trombones in B flat major 1812 written for Franz Xaver Glöggl; there is also a version for 4 men’s voices; these were played at Beethoven’s funeral
Bia. 549       Fragment for Piano & Violin; authorship: unfinished 1812 fragment of the finale to the Violin Sonata Opus 96
Bia. 550 Op. 96, Grove 96     Sonata No. 10 for Piano & Violin in G major 1812 dedicated to Archduke Rudolph of Austria
Bia. 551 Hess 67     2 German Dances for Piano: in F major and F minor 1811
Bia. 552       Sketch for Unknown: 2 unused sketches; authorship: unfinished 1813
Bia. 553 WoO 2 #1, Hess 117, Grove 143     Triumphal March for Orchestra in C major: "Tarpeja" 1813 Christoph Kuffner’s drama
Bia. 554 WoO 2 #2, Hess 117     Entr’acte in D major: "Tarpeja" 1813 now thought to be from the opening of Act II from "Leonore" 1805
Bia. 555 WoO 141     Song in C major: "Der Gesang der Nachtigall"; "Höre, die Nachtigall singt" 1813 words: Johann Gottfried Herder
Bia. 556 Hess 305     Sketch for Instrument(s) in D major: sketch for a Canon "Geschlagen ist der Feind" (the enemy has been beaten); authorship: unfinished 1813 found amidst the sketches for "Wellington’s Victory", opus 91
Bia. 557 Hess 108     Piece for Panharmonikon: "Wellingtons Sieg, oder die Schlacht bei Vittoria" (Wellington’s Victory, or the Battle of Vittoria) 1813 original version of Opus 91, second part ("Siegessymphonie")
Bia. 558 WoO 142, Grove 248 Midi File...   Song in E minor: "Der Bardengeist"; "Dort auf dem hohen Felsen sang" 1813 words: Franz Rudolph Hermann
Bia. 559 WoO 163, Grove 206     3-part Canon in F minor: "Kurz ist der Schmerz, und ewig ist die Freude" (Suffering is transitory, but joy is eternal) (1st setting) 1813 written for Johann Friedrich Naue; words: Friedrich von Schiller; other setting is WoO 166
Bia. 560 Op. 91, Grove 91     Battle Symphony: "Wellingtons Sieg, oder die Schlacht bei Vittoria" (Wellington’s Victory, or the Battle of Vittoria) 1813 dedicated to Prince Regent (later King) George IV of England; originally written for panharmonikon, Hess 108; Hess 97 is arrangement for piano & 2 cannons
Bia. 561 WoO 152 #1, Grove 223     Folksong Setting: "The Return to Ulster", "Once again, but how chang’d"; #1 of 25 Irish songs 1810 words: Sir Walter Scott
Bia. 561 WoO 152 #2, Grove 223     Folksong Setting: "Sweet Power of Song!"; #2 of 25 Irish songs 1810 words: Joanna Baillie
Bia. 561 WoO 152 #3, Grove 223     Folksong Setting: "Once more I hail thee"; #3 of 25 Irish songs 1810 words: Robert Burns
Bia. 561 WoO 152 #4, Grove 223     Folksong Setting: "The morning air plays on my face"; #4 of 25 Irish songs 1810 words: Joanna Baillie
Bia. 561 WoO 152 #5, Grove 223     Folksong Setting: "On the massacre of Glencoe", "O! tell me, harper"; #5 of 25 Irish songs 1810 words: Sir Walter Scott; original setting of Hess 192
Bia. 561 WoO 152 #6, Grove 223     Folksong Setting: "What shall I do to shew how much I love her?"; #6 of 25 Irish songs 1810 words: Anonymous
Bia. 561 WoO 152 #7, Grove 223     Folksong Setting: "His boat comes on the sunny tide"; #7 of 25 Irish songs 1810 words: Joanna Baillie
Bia. 561 WoO 152 #8, Grove 223     Folksong Setting: "Come draw we round a cheerful ring"; #8 of 25 Irish songs 1810 words: Joanna Baillie
Bia. 561 WoO 152 #9, Grove 223     Folksong Setting: "The Soldier’s Dream", "Our bugles sung truce"; #9 of 25 Irish songs 1810 words: Thomas Campbell
Bia. 561 WoO 152 #10, Grove 223     Folksong Setting: "The Deserter" (The evening previous to his execution), "If sadly thinking and spirits sinking"; #10 of 25 Irish songs 1812 words: J P Curran
Bia. 561 WoO 152 #11, Grove 223     Folksong Setting: "Thou emblem of faith" (Upon returning a ring); #11 of 25 Irish songs 1812 words: J P Curran
Bia. 561 WoO 152 #12, Grove 223     Folksong Setting: "English Bulls, or The Irishman in London", "Och! have you not heard, Pat"; #12 of 25 Irish songs 1810 words: Anonymous; variations on this air "Paddy Whack" Op 105 #6
Bia. 561 WoO 152 #13, Grove 223     Folksong Setting: "Musing on the roaring ocean"; #13 of 25 Irish songs 1812 words: Robert Burns
Bia. 561 WoO 152 #14, Grove 223     Folksong Setting: "Dermot and Shelah", "O who sits so sadly"; #14 of 25 Irish songs 1810 words: T Toms
Bia. 561 WoO 152 #15, Grove 223     Folksong Setting: "Let brainspinning swains"; #15 of 25 Irish songs 1810 words: Alexander Boswell
Bia. 561 WoO 152 #16, Grove 223     Folksong Setting: "Hide not thy anguish"; #16 of 25 Irish songs 1810 words: William Smyth
Bia. 561 WoO 152 #17, Grove 223     Folksong Setting: "In vain to this desert my fate I deplore"; #17 of 25 Irish songs 1810 words: Anne Grant & Robert Burns
Bia. 561 WoO 152 #18, Grove 223     Folksong Setting: "They bid me slight my Dermot dear"; #18 of 25 Irish songs 1810 words: William Smyth
Bia. 561 WoO 152 #19, Grove 223     Folksong Setting: "Wife, Children and Friends", "When the blackletter’d list to the gods"; #19 of 25 Irish songs 1812 words: W R Spencer
Bia. 561 WoO 152 #20, Grove 223     Folksong Setting: "Farewell bliss and farewell Nancy"; #20 of 25 Irish songs 1810 words: Anne Grant & Robert Burns
Bia. 561 WoO 152 #21, Grove 223     Folksong Setting: "Morning a cruel turmoiler is"; #21 of 25 Irish songs 1812 words: Alexander Boswell
Bia. 561 WoO 152 #22, Grove 223     Folksong Setting: "From Garyone, my happy home", air: "Garyone"; #22 of 25 Irish songs 1812 words: T Toms; original setting of WoO 154 #7
Bia. 561 WoO 152 #23, Grove 223     Folksong Setting: "A wand’ring gypsey, Sirs, am I"; #23 of 25 Irish songs 1810 words: Dr Wolcot
Bia. 561 WoO 152 #24, Grove 223     Folksong Setting: "The Traugh Welcome", "Shall a son of O’Donnell be cheerless and cold"; #24 of 25 Irish songs 1812 words: Anonymous
Bia. 561 WoO 152 #25, Grove 223     Folksong Setting: "O harp of Erin", "O harp of Erin thou art now laid low"; air: "I once had a true love"; #25 of 25 Irish songs 1812 words: David Thomson; original setting for WoO 154 #2
Bia. 562 Hess 192     Folksong Setting: "On the massacre of Glencoe" (Irish) "O! tell me, harper" 1813 words: Sir Walter Scott; replacement setting for WoO 152 #5
Bia. 562 Hess 193     Folksong Setting: "Farewell bliss and farewell Nancy" (Irish) 1810 early version of codas to WoO 152 #20
Bia. 563 WoO 153 #1, Grove 224     Folksong Setting: "When eve’s last rays in twilight die"; #1 of 20 Irish songs 1810 words: David Thomson
Bia. 563 WoO 153 #2, Grove 224     Folksong Setting: "No riches from his scanty store"; #2 of 20 Irish songs 1810 words: Williams
Bia. 563 WoO 153 #3, Grove 224     Folksong Setting: "The British Light Dragoons, or The Plain of Badajos", "’Twas a Marechal of France"; #3 of 20 Irish songs 1810 words: Sir Walter Scott
Bia. 563 WoO 153 #4, Grove 224     Folksong Setting: "Since greybeards inform us that youth will decay"; #4 of 20 Irish songs 1810 words: T Toms
Bia. 563 WoO 153 #5, Grove 224     Folksong Setting: "I dream’d I lay where flow’rs were springing"; #5 of 20 Irish songs 1813 words: Robert Burns; replacement setting for Hess 194
Bia. 563 WoO 153 #7, Grove 224     Folksong Setting: "O soothe me, my lyre"; #7 of 20 Irish songs 1813 words: William Smyth
Bia. 563 WoO 153 #8, Grove 224     Folksong Setting: "Norah of Balamagairy", "Farewell mirth and hilarity"; #8 of 20 Irish songs 1812 - 1813 words: Alexander Boswell
Bia. 563 WoO 153 #9, Grove 224     Folksong Setting: "The kiss, dear maid, thy lip has left"; #9 of 20 Irish songs 1813 words: Lord Byron
Bia. 563 WoO 153 #10, Grove 224     Folksong Setting: "Oh, thou hapless soldier"; #10 of 20 Irish songs 1810 words: William Smyth
Bia. 563 WoO 153 #11, Grove 224     Folksong Setting: "When far from the home"; #11 of 20 Irish songs 1813 words: David Thomson; Hess 195 is another setting
Bia. 563 WoO 153 #12, Grove 224     Folksong Setting: "I’ll praise the saints with early song"; #12 of 20 Irish songs 1813 words: William Smyth; replacement setting for Hess 196
Bia. 563 WoO 153 #14, Grove 224     Folksong Setting: "Paddy O’Rafferty"; #14 of 20 Irish songs 1810 words: Alexander Boswell
Bia. 563 WoO 153 #15, Grove 224     Folksong Setting: "‘Tis but in vain, for nothing thrives"; #15 of 20 Irish songs 1813 words: William Smyth; replacement setting for Hess 197
Bia. 563 WoO 153 #16, Grove 224     Folksong Setting: "O might I but my Patrick love!" (English); #16 of 20 Irish songs 1813 words: William Smyth
Bia. 563 WoO 153 #17, Grove 224     Folksong Setting: "Come, Darby dear! easy, be easy"; #17 of 20 Irish songs 1813 words: William Smyth
Bia. 563 WoO 153 #18, Grove 224     Folksong Setting: "No more, my Mary, I sigh for splendour"; #18 of 20 Irish songs 1813 words: William Smyth
Bia. 563 WoO 153 #19, Grove 224     Folksong Setting: "Judy, lovely, matchless creature"; #19 of 20 Irish songs 1813 words: Alexander Boswell
Bia. 563 WoO 153 #20, Grove 224     Folksong Setting: "Thy ship must sail, my Henry dear"; #20 of 20 Irish songs 1813 words: William Smyth
Bia. 564 Hess 194     Folksong Setting: "I dream’d I lay where flow’rs were springing" (Irish) 1810 words: Robert Burns; original setting of WoO 153 #5
Bia. 564 Hess 195     Folksong Setting: "When far from the home" (Irish) 1813 words: David Thomson; alternative setting for WoO 153 #11
Bia. 564 Hess 196     Folksong Setting: "I’ll praise the saints with early song" (Irish) 1810 words: William Smyth; original setting of WoO 153 #12
Bia. 564 Hess 197     Folksong Setting: "‘Tis but in vain, for nothing thrives" (Irish) 1810 words: William Smyth; original setting of WoO 153 #15
Bia. 565 WoO 154 #1, Grove 225     Folksong Setting: "The Elfin Fairies", "We fairy elves in secret dells", air: "Planxty Kelly"; #1 of 12 Irish songs 1813 words: David Thomson
Bia. 565 WoO 154 #2, Grove 225     Folksong Setting: "O harp of Erin", "O harp of Erin thou art now laid low", air: "I once had a true love"; #2 of 12 Irish songs 1813 words: David Thomson; replacement setting for WoO 152 #25
Bia. 565 WoO 154 #3, Grove 225     Folksong Setting: "The Farewell Song", "O Erin", air: "The old woman"; #3 of 12 Irish songs 1813 words: William Smyth
Bia. 565 WoO 154 #4, Grove 225     Folksong Setting: "The pulse of a Irishman", air: "St Patrick’s Day"; #4 of 12 Irish songs 1813 words: Alexander Boswell; {like Let Brainspinning Swains}
Bia. 565 WoO 154 #5, Grove 225     Folksong Setting: "O who, my dear Dermot", air: "Crooghan a Venee"; #5 of 12 Irish songs 1813 words: William Smyth
Bia. 565 WoO 154 #6, Grove 225     Folksong Setting: "Put round the bright wine", air: "Chiling O’Guiry"; #6 of 12 Irish songs 1813 words: William Smyth; variations on this air: Op 105 #5
Bia. 565 WoO 154 #7, Grove 225     Folksong Setting: "From Garyone, my happy home", air: "Garyone"; #7 of 12 Irish songs 1813 words: T Toms; replacement setting for WoO 152 #22
Bia. 565 WoO 154 #8, Grove 225     Folksong Setting: "Save me from the grave and wise", air: "Nora Creina"; #8 of 12 Irish songs 1813 words: William Symth
Bia. 565 WoO 154 #9, Grove 225